Unveiling 50 the best Arthur Miller quote for Inspiration

Arthur Miller, the acclaimed playwright and voice of social conscience, left behind a legacy not only in theater but also in the realm of profound wisdom through his words. His quotes resonate with themes of human struggle, morality, and the pursuit of truth. Join us as we uncover 50 of the most impactful Arthur Miller quote, each carrying the weight of his insight and reflecting the complexities of the human condition.

• No one wants the truth if it is inconvenient.
• Maybe all one can do is hope to end up with the right regrets.
• A character is defined by the kinds of challenges he cannot walk away from. And by those he has walked away from that cause him remorse.
• I think the job of the artist is to remind people of what they have chosen to forget.
• I’m a writer, and everything I write is both a confession and a struggle to understand things about myself and this world in which I live. This is what everyone’s work should be-whether you dance or paint or sing. It is a confession, a baring of your soul, your faults, those things you simply cannot or will not understand or accept. You stumble forward, confused, and you share. If you’re lucky, you learn something.

• Life is an endless, truly endless struggle. There’s no time when we’re going to arrive at a plateau where the whole thing gets sorted. It’s a struggle in the way every plant has to find it’s own way to stand up straight. A lot of the time it’s a failure. And yet it’s not a failure if some enlightenment comes from it.
• Don’t be seduced into thinking that that which does not make a profit is without value.
• An era can be said to end when its basic illusions are exhausted.
• And yet one can’t forever stand on the shore; at some point, even if filled with indecision, skepticism, reservation and doubt, you either jump in or concede that life is forever elsewhere.
• Work a lifetime to pay off a house You finally own it and there’s nobody to live in it.

• …When the government goes into the business of destroying trust, it goes into the business of destroying itself.
• Everything we are is at every moment alive in us.
• Self-realization and self-fulfilment are the sine qua non for human existence.
• Memory inevitably romanticizes, pressing reality to recede like pain.
• If you analyse anything, you destroy it.

• I think it’s a mistake to ever look for hope outside of one’s self.
• The brain heals the past like an injury.
• Betrayal is the only truth that sticks.
• Until an hour before the Devil fell, God thought him beautiful in Heaven.
• I would be twenty before I learned how to be fifteen, thirty before I knew what it meant to be twenty, and now at seventy-two I have to stop myself from thinking like a man of fifty who has plenty of time ahead.

• If I have to be alone I want to be by myself.
• The structure of a play is always the story of how the birds came home to roost.
• A political policy is equated with moral right, and opposition to it with diabolical malevolence.
• I speak my own sins; I cannot judge another. I have no tongue for it.
• A little man makes a mistake and they hang him by the thumbs; the big ones become ambassadors.

• When today fails to offer the justification for hope, tomorrow becomes the only grail worth pursuing.
• Whether for good or evil, it is sadly inevitable that all political leadership requires the artifices of theatrical illusion. In the politics of a democracy, the shortest distance between two points is often a crooked line.
• I believe in work. If somebody doesn’t create something, however small it may be, he gets sick. An awful lot of people feel that they’re treading water — that if they vanished in smoke, it wouldn’t mean anything at all in this world. And that’s a despairing and destructive feeling. It’ll kill you.
• Sometimes…it’s better for a man just to walk away. But if you can’t walk away? I guess that’s when it’s tough.
• The arts can do more to sustain the peace than all the wars, the armaments, and the threats and warnings of politicians.

• When irrational terror takes to itself the fiat of moral goodness somebody has to die. … No man lives who has not got a panic button, and when it is pressed by the clean white hand of moral duty, a certain murderous train is set in motion.
• Immortality is like trying to carve your initials in a block of ice in the middle of July.
• My plays are always involved with society, but I’m writing about people, too, and it’s clear over the years that audiences understand them and care about them. The political landscape changes, the issues change, but the people are still there. People don’t really change that much.
• Those who formally rule take their signals and commands not from the electorate as a body, but from a small group of men. This group will be called the Establishment. It exists even though that existence is stoutly denied. It is one of the secrets of the American social order… A second secret is the fact that the existence of the Establishment – the ruling class – is not supposed to be discussed.
• Every time I am reading actors I can pretty well tell which ones have studied with Meisner. It is because they are honest and simple and don’t lay on complications that aren’t necessary.

• The task of the real intellectual consists of analyzing illusions in order to discover their causes.
• Few of us can easily surrender our belief that society must somehow make sense. The thought that the State has lost its mind and is punishing so many innocent people is intolerable. And so the evidence has to be internally denied.
• The job is to ask questions – it always was – and to ask them as inexorably as I can. And to face the absence of precise answers with a certain humility.
• The enemy is within, and within stays within, and we can’t get out of within.
• The best work that anybody ever writes is the work that is on the verge of embarrassing him, always.

• The apple cannot be stuck back on the Tree of Knowledge; once we begin to see, we are doomed and challenged to seek the strength to see more, not less.
• We are what we always were in Salem, but now the little crazy children are jangling the keys of the kingdom, and common vengeance writes the law!
• Man must shape his tools lest they shape him.
• What is the most innocent place in any country? Is it not the insane asylum? These people drift through life truly innocent, unable to see into themselves at all.
• … if you love your country why is it necessary to hate other countries?

• The writer must be in it; he can’t be to one side of it, ever. He has to be endangered by it. His own attitudes have to be tested in it. The best work that anybody ever writes is the work that is on the verge of embarrassing himself, always.
• By whatever means it is accomplished, the prime business of a play is to arouse the passions of its audience so that by the route of passion may be opened up new relationships between a man and men, and between men and Man. Drama is akin to the other inventions of man in that it ought to help us to know more, and not merely to spend our feelings.
• Never fight fair with a stranger, boy. You’ll never get out of the jungle that way.
• If I see an ending, I can work backward.
• As a writer, I’ve always believed that while my work and I myself are embedded in whatever period I am writing about, clearly I am sensitive to the winds that are blowing in the culture. At the same time, I have always felt that the issue was not to deal with the problem in the abstract, but to deal with the people who are in that problem. The emphasis is on the people. The general problem begins to resolve itself even before the play is finished.

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